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Grammar of Ornament
#501 Volume 1
#502 Volume 2
#503 Volume 3
#504 Volume 4
#505 Volume 5
#506 Volume 6
#507 Volume 7
#508 Volume 8
#509 Volume 9
#510 Volume 10
#511 Volume 11
#512 Volume 12
#513 Volume 13
#514 Volume 14
#515 Volume 15
#516 Volume 16
#517 Volume 17
#518 Volume 18
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Illuminated Manuscripts
#401 Volume 1
#402 Volume 2
#403 Volume 3
#404 Volume 4
#405 Volume 5
#414 Volume 6
#415 Volume 7
#416 Volume 8
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Celtic Manuscripts Art
#406 Volume 1
#407 Volume 2
#408 Volume 3
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Special Collections

Auguste Racinet
L'Ornement Polychrome
#423 Volume 1
#424 Volume 2
#425 Volume 3
#426 Volume 4
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#417 Antonius Collection

Walter Crane
#419 The Faerie Queene

William Morris
#418 Kelmscott Chaucer

Owen Jones
#410 Spanish Ballads
#411 Paradise & the Peri
#420 Gray's Elegy
#421 Joseph & Brethren
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Aubrey Beardsley
#422 Le Morte D'Arthur

#412 Gems from the Poets

#413 Borders for Word

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The Grammar of Ornament - Vol. 3
Owen Jones
Assyrian and Persian Ornament
Nineveh & Persia
Plates 12, 13, 14.

#503

 
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Assyrian and Persian Ornament
This collection of vector graphics based on the Plates 12, 13 and 14 of the Assyrian and Persian Ornament chapter from the Grammar of the Ornament. They are been redrawn with the correct geometric construction and are perfectly tileable as allover patterns for background tiles, linear borders and page borders. For all the patterns of which the design permitted, we have created the corners tiles.
A large collection of Classic borders and background tiles from Nineteh and Persia, the region of the modern Iraq.

The Grammar of Ornament
Owen Jones first published this monument of design reference in 1856, in installments for subscribers. Since then have been many editions in many languages including modern reprints.
This beautiful and highly influential publication, illustrated with examples of historical styles of ornament is a classic in its field and still regarded with respect and consulted today. The choice of color used in the book was considered as important and influential as the designs.
The drawing in the plates are based on the massive collection of design patterns gathered by Owen Jones in his travels around the world and from collections residing in British Museums including the South Kensington Museum (now the Victoria and Albert Museum).

The Making of the Vector Graphics
At first view the making of the graphics from The Grammar of Ornament may be considered quite a simple task, lengthy and tedious, but simple. A more accurate look at the original graphics from the book shows that they are merely hand drawings without any accurate geometrical construction and often tricks of the brush were used to make the ends meet and the pattern look correct while it was not. To create the tiles and the corners of each drawing and each repeating pattern we had first to build the geometry and sometime we had to modify the proportions of the patterns to make them real and possible. Corners were inexistent and have been created for almost all the repeating linear patterns; the design of some linear pattern did not permit the creation of the corner. The EPS version of the graphics preserves in each file our original grouping of the elements, which facilitate the change of colors and/or the extraction of individual elements. All colors have been created as process colors and defined as global.

Vector Graphics
The graphic images that comprise this package are superior re-creations of the Chromolithography images from the plates of The Grammar of Ornament.

Each decorative image and element has been meticulously hand-drawn by AlfredoM in vector format.
Many advanced designers will find our vector file versions with the following desirable feature preserved: original hierarchies and groupings to facilitate modifications and enable the extraction of unique elements. Though resolution-independent vector formats insure high-quality reproduction at any size and allow complete latitude for pre-production modifications, our CD collections also include common pixel-based file formats of each graphic and a vector format supported by Office applications for desktop publication.

Preview the Other Volumes.
- All the Volumes
- Volume 1 - #501
- Volume 2 - #502
- Volume 3 - #503
- Volume 4 - #504
- Volume 5 - #505
- Volume 6 - #506
- Volume 7 - #507
- Volume 8 - #508
- Volume 9 - #509
- Volume 10 - #510
- Volume 11 - #511
- Volume 12 - #512
- Volume 13 - #513
- Volume 14 - #514
- Volume 15 - #515
- Volume 16 - #516
- Volume 17 - #517
- Volume 18 - #518

3 CPU License included
Mac and PC compatible

Files Formats:
EPS 8
WMF
TIFF 600dpi

What is in the CDs

The Volumes of the GRAMMAR OF ORNAMENT contain vector graphics based on the Owen Jones’ decorative designs collected in his book by the same name, the collection includes borders, dividers, corners, side tiles in various sizes and variations, repeating tiles large and small, decorative elements, etc.

The variety of images available can be evaluated in the “View the CD contents” link in this page. Because of the large amount of graphic files available in each CD, only one image per design is visible in the catalog, but beside each image there is a list of all the elements included for that specific design and their file name (better viewed in the large version of the online catalog).

This specific Volume includes 244 graphic files in the EPS format.

Every CD Collection includes files in three file formats:
EPS Version 8
WMF
TIFF at 600dpi

Also included are folders titled "Parchemin" (photographic reproductions of parchemins for background use) and "Books Backgrounds" (photographic reproduction of covers and pages of antique books); images that may be used as backgrounds.

A complete HTML catalog in every CD.

All graphics in this website ©2002-2012 AlfredoM Graphic Arts Studio - Library of Congress U.S. Copyright Office.
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