THE ILLUMINATED MANUSCRIPTS PROJECT
A TREASURE TROVE OF MASTERPIECE ILLUMINATIONS FOR YOUR ART PROJECTS
 
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Grammar of Ornament
#501 Volume 1
#502 Volume 2
#503 Volume 3
#504 Volume 4
#505 Volume 5
#506 Volume 6
#507 Volume 7
#508 Volume 8
#509 Volume 9
#510 Volume 10
#511 Volume 11
#512 Volume 12
#513 Volume 13
#514 Volume 14
#515 Volume 15
#516 Volume 16
#517 Volume 17
#518 Volume 18
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Illuminated Manuscripts
#401 Volume 1
#402 Volume 2
#403 Volume 3
#404 Volume 4
#405 Volume 5
#414 Volume 6
#415 Volume 7
#416 Volume 8
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Celtic Manuscripts Art
#406 Volume 1
#407 Volume 2
#408 Volume 3
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Special Collections

Auguste Racinet
L'Ornement Polychrome
#423 Volume 1
#424 Volume 2
#425 Volume 3
#426 Volume 4
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#417 Antonius Collection

Walter Crane
#419 The Faerie Queene

William Morris
#418 Kelmscott Chaucer

Owen Jones
#410 Spanish Ballads
#411 Paradise & the Peri
#420 Gray's Elegy
#421 Joseph & Brethren
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Aubrey Beardsley
#422 Le Morte D'Arthur

#412 Gems from the Poets

#413 Borders for Word

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Renaissance Invitations
Walter Crane Page
The Faerie Queene
William Morris and the Kelmscott Chaucer
The Kelmscott Press
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Renaissance lettering & borders
Resources for Calligraphers

 

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The Illuminated Manuscripts Project

 

As a Fine Arts student in Rome, Italy I grew up admiring the magnificence of the Illuminated Manuscripts and Books made in the Middle Age and Renaissance, before the invention of the Gutenberg press. I still have with me many of the art books I used as a student, some of them large format publications with hundreds of photographic reproductions of pages from those books decorated with beautiful graphic elements. I used to study from those books. After graduating as a teacher of Art and art history, being an academic, I had access to many of those pieces of art in restricted areas of libraries and I was able to examine and appreciate them even more. The making of such books took months and years. Certainly they were not for everybody; very few could afford them. Today in the age of the electronic arts not too much has changed. Many people do not have the opportunity to appreciate this form of art.
Clip art is an interesting product of the last twenty years; with a simple insertion technique, clip art permits non-artists to enhance their documents with graphics made by others. Clipart is also a tool for graphic designers to complete their work faster, thereby reducing their cost.
There are countless pre-made graphic objects available in varying degrees of quality and for every subject matter. To our knowledge, this is the first offering of high quality European Middle Age and Renaissance Art made available in electronic format. Naturally,

anyone can scan a picture from a book or grab it from the internet, but such scans are inferior to EPS vector file format graphics particularly when painstakenly redrawn by hand.

Those are among the reasons that motivated me to create the Illuminated Manuscripts Project.
Our work consists in redrawing, with as much accuracy as possible, the graphic elements in resolution-independant vector format to create our collection of European Medieval and Renaissance clip-art. Resolution-independent graphics can be printed at any size and always look accurate and sharp.

Alfredo Malchiodi
AlfredoM.com

All graphics in this website ©2002-2012 AlfredoM Graphic Arts Studio - Library of Congress U.S. Copyright Office.
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